In the search for that dream, Bono decided that if U2 decamped to Berlin with Brian Eno and Daniel Lanois, something had to happen. It took tremendous foresight for U2 to take a break and a fair amount of fortitude to stand onstage and inform your audience that “… this is the end of something for U2 … We have to go away and … and dream it all up again.” Record companies certainly want bands to keep doing the thing, over and over again, that made them all that money. And even after achieving international fame and fortune with The Joshua Tree, their fifth album, back in 1987, they came crashing back to earth with its follow-up, Rattle and Hum, which every rock critic in the world interpreted as U2 trying to teach America about American music.īy the end of the ’80s, U2 could have just kept moving forward with their existing formula and maybe eked out another few years with that pattern. No record label still in business today would have let them release a third album after the battles around the second one. The traditional path to success in the music industry pretty much no longer exists, and if it did, a band like U2 never would have gotten the creative control they asked for - and received. Yes, they own houses in the south of France and show up in the occasional gossip column and Bono jets off to Davos every year, but they are still very much a band, and there’s something remarkable in the fact that they continue to remain a going concern. U2 are, at this point, the only rock band of their stature that still has the original lineup: No one’s overdosed, no one’s been fired, no one’s left the group in pursuit of a solo career. put up a notice at Mount Temple Comprehensive School: “Drummer seeks musicians to form band.” This is how the members of U2 met, a moment specifically commemorated in Bono’s new memoir, Surrender: 40 Songs, One Story (out November 1). Page rendered in: 0.In 1976, a student named Larry Mullen Jr. Lyrics are transcribed as heard and are presented here under a provisional license by Universal Music, granted in 2005. The discography, news and video entries are copyright U2Songs and should not be reused in any form without permission, all images in the discography are scanned / generated by U2Songs from original sources and also should not be used without permission. The information presented within these pages is accurate to the best of our knowledge but is based upon information provided by other fans, research into individual items and several books, and U2 Songs takes no responsibility for any problems resulting from use of the material as presented within. This website is an informational resource for private use only and is not affiliated with U2, their management company, their record label or any related bodies. All images are copyright their respective designers. U2 - “A Day Without Me” Commercial Single.U2 - “A Day Without Me” Promotional Release.U2 - “Cassette Sampler 1987” Promotional Release.U2 - “U2: Swedish Record Club Box” Album Collection.U2 - “The Kiosk Collection (Spanish Edition)” Album Collection.U2 - “The Costco Collection” Album Collection.U2 - “3 Original CDs” Album Collections.Various Artists - “Island Records Pre-Release Limited Edition” Promotional Series.U2 - “The Kiosk Collection (Portuguese Edition)” Album Collection.U2 - “Japan SHM-CD Collection” Collection.U2 - “The Complete Early Years 1980 - 1987” Album Collection.The writing credits for this song are: U2 It first appeared on the "Boy" Album - U2, in 1980.
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